One Man, Two Masterpieces

Over the past few months, an excessively large amount of free time has provided me the opportunity to explore one of my personal favorite expressions of art: movies. More specifically, I watched two insanely well made and entertaining movies directed by Ridley Scott, Alien and Blade Runner. These two movies are absolutely amazing and on my list of all time favorites (that has never been compiled). I find that movies today and recent history don't have the same kind of magic that Alien and Blade Runner have, making me feel kind of like an old curmudgeon claiming that "they don't make movies like they used to." But in all honesty, I feel that the style of movie portrayed in these two Ridley Scott classics is a lost art. Unfortunately I don't think I'll ever see another movie like Alien ever again. What I am going to do here, is break down what, in my opinion, made Blade Runner and Alien so damn good. If you haven't seen these movies, I would suggest reading no further than here because some of the things I write about will probably ruin certain things that should be experienced when watching the movie for the first time (spoiler-esque stuff).

Let's begin with Alien, a near perfect horror movie, at least in my estimation. First thing I want to say, I love this movie. What I really enjoy about Alien, and Blade Runner, derives from the era these movies were made, 1970s and 1980s respectively. With low tech special effects at their disposal and no CGI, these movies focused on creating a good, solid story that makes you think, and in Alien's case, does a masterful job at creating tension. Let's take a step back, though, and begin with the trailer for Alien.

Fantastic is the word that comes to mind when I watch the Alien trailer. No words are uttered, none of the plot is given away, but the trailer leaves the viewer with a sense of intrigue, a wonder of what the heck is going on. Many trailers today give away far too much of the plot or show too many of the funny parts. Most importantly, the Alien trailer doesn't show any glimpse of the Alien. The sense of wonder and cause for fear only revealed in the actual movie. I wasn't alive when Alien came out in theaters, but I wish I could have had the experience of seeing this movie for the first time on the big screen with no idea what the movie was about. The title Alien itself is fantastic. Working as a noun or adjective, the word "alien" has a double meaning as the title for the movie. The title coupled with an outstanding trailer make practically a perfect marketing tool, and I didn't even mention the insanely good tag line "In space no one can hear you scream." But I digress, let us look at what makes the movie so good.

The plot of Alien is incredibly simplistic: a crew of seven people aboard a commercial towing vessel (the Nostromo) are waken prematurely out of hyper-sleep when the ship detects a distress beacon on a foreign planet. The crew investigates, one is member, Kane, is attacked by a facehugging thing, brought back on the ship. An extraterrestrial being bursts from his chest and terror ensues. The plot is simple and easy to follow. I would also like to note how there are only seven people on the Nostromo which allows the story to build personalities around the characters. It gives us a reason to give a crap about what's going on. I personally love Parker, played by Yaphet Kotto. In the opening scenes up until the incident, each character's personality is built, how they speak, how they react, sense of humor, those types of things.

C'mon man, the food ain't that bad

Good stories, whether movies, books, short stories, whatever, allow you to connect with the characters, make you give a damn about them. Then the next fantastic aspect following the initial character development is the tension building. When the crew finds the downed ship on LV-426, there's this steady decent into darkness, where you're wondering when the heck is something going to happen. Even as Kane peers at the mysterious looking eggs, the subsequent facehugger was something no one had ever seen before and goes straight for Kane's face. Remember, too, that this movie came out in 1979 and no creature shots had been revealed. I think that's incredibly awesome!

From the time the Nostromo crew sets down on LV-426 the tension continues to mount until the movie comes to an end, where only Ripley and Jonesy the cat make it out alive. One by one the alien takes out the crew. There are no overlong action sequences or battles, just overpowering extraterrestrial rape? Why bring up rape? Well, the only thing more terrifying than getting raped, is getting raped by a clown. And the only thing that might be more terrifying than getting raped by a clown might be getting raped by the xenomorph in Alien. Discussions of Alien have covered practically all aspects of the movie including what the alien does to its pray. In Alien, you never see the violence, you have no idea what in the hell it's doing to the victim. Then you also notice that the bodies are never left behind. What is happening to these people? The concept that the alien in a way rapes it's victim adds to the terror created in the movie. Even if you go back to the facehugger, what does it do? It jumps on the victim's face and puts it's proboscis-like tube down their throat while wrapping it's tail around the neck. That is damn horrifying!

There's also this sweet deleted scene that indicates the alien isn't killing its prey:

I'd like to think that this scene was not included in the final cut of the film for pacing reasons. The movie does have wonderful pacing and it probably just didn't fit. However, I choose to believe that what's seen in this scene is what is happening to the alien's victims. Ripley just doesn't discover the cocoons that the alien has been creating. Again, this just adds to the terror in the movie, these people are attacked by the alien, who the hell knows what the alien does to them, and then it cocoons them. Then you add in that this foreign creature cannot be killed, the android even calling it the "perfect organism." That's horror done right.

Now let's switch gears to the other Ridley Scott classic, Blade Runner. This movie is straight up science fiction gold. This movie, like Alien relied on something outside of giant action scenes and crazy special effects that didn't exist when the movie was made. Blade Runner relies on a great story to build a memorable movie. Set in future Los Angeles, blade runners are hunting down a group of replicants, the Nexus-6, who have gone rogue and come back to earth to find their creator. Replicants are androids, and the Nexus-6 are a particularly advanced model. Please stop reading and go watch Blade Runner if you haven't seen it. Without going through the entire plot to this movie, what makes it great is the realizations of both the Nexus-6 replicants and blade runner Deckard, played by Harrison Ford.

Once you've seen the whole movie and taken some time to think about it, you realize that the Nexus-6 replicants want the answers to the same questions we humans have. The Nexus-6 seek out their creator and want to know why they were created, why the are here, and how long will they live. While this movie is made much better, I believe Ridley Scott was attempting to tell this story from the human perspective in Prometheus. You get all these questions raised by a mechanical race created by man and at the same time there is this kind of strange thing going on in the background making you wonder if Deckard, the blade runner tasked with hunting down these replicants, is actually a replicant himself. The movie makes you think beyond the events of the movie. I'd now like to end this post the same way that Blade Runner ends: